Two days of sound performances curated by Volume on July 31 feature Steve Roden and August 1 featuring Jen Boyd, Julia Holter, Kadet Kuhne, Marc Manning, Adam Overton, Akira Rabelais, Shuttle358, Mark So, Sublamp, Mark Trayle, Justin Varis, and Sander Roscoe Wolff! Visit the Programming page for more info.

Resonant Forms was a tremendous success, and my thanks go out to everyone involved. I’ll post more information about it in the coming days, but for enjoy these images, all courtesy of Tyler Hubby.

Keep an eye out for 92982, the latest release from William Basinski. Word has it that the first copies will be available exclusively at the Resonant Forms Festival at LACE in Los Angeles, April 3-5 (Billy will be performing on the 5th, with a special live collaboration with Richard Chartier).

Here is a description of the release from Basinski’s website:

Something from a long time ago…in Brooklyn, 351 jay street…A fruitful evening in the studio… Home at last after a day of work at the answering service…answering phones for calvin klein, bianca jagger, steve rubell, and all the other somebody people…in our space station: home in my studio experimenting live. James is in the adjacent studio painting masterpieces. Roger is in the front, gluing old shoes on canvas and painting them orange… I’m clicking the old norelcos back and forth between channels…all the windows are open. The sound is spreading all over downtown brooklyn mixing with the helicopters, sirens, pot smoke and fireworks…

It’s crunchy, it’s distorted…it’s basinski archive circa 1982. The third track some of you may recognize: a shorter version was included as variation #8 on Variations: A movement in chrome primitive. So, this night in the studio spawned a direction I would follow for some time. As I love this document of that night, I thought you might like to put what came later into context, so I’m releasing this archival recording. The last track is a newly recorded reprise of the first track that I recorded with the original loop in February 2009 in Los Angeles. — William Basinski, March, 2009